在五月天的＜擁抱＞之前，原來國語歌已經有了關於同性戀的歌曲了。就是袁瑗的＜娥愛妳＞。歌名就頗具新意的了，在我們把代名詞習慣用人字邊代表男性，女字邊代表女性時，〔娥〕，在這首歌中，也許是人名，也可以是〔我〕的女性意識表徵。
「妳費力的解釋 別人好奇卻又不懂的事 那是兩個女人的山盟海誓」（袁瑗詞）
這樣的愛情，的確難以解釋。當身邊的人們腦子裡不能接受這種觀念的時候。但最後的詞，反映了現實，卻也令人有點失望：「如果一切可以重來／沒有人要這樣顛倒的安排」也許是當時的環境吧！如果現在，應該可以不用這麼悲情和自我否定。
專輯中大量運用了一些傳統名曲，對於一張新專輯來說，不是件好事，何況那些 sample 其實也沒有為歌曲加分多少，反而有點累贅。倒是第一首＜你要我等你回來＞，利用機場播音，講一個女孩痴等男孩歸來卻未果的情節，效果不錯，旁白鄧清的表現稱職。這首歌讓人聯想到那個在火車站等人的故事：林慧萍的＜驛＞。其實以製作概念和歌曲成績來說，這張專輯是不錯的，只是時運不濟吧，並沒有造成流行。
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